In less than 60 days, artist Sergio Albiac has created more than 11,000 portraits. This kind of productivity, no doubt, seems unfathomable—until you consider his artistic method.
Albiac is a practitioner of generative art, a discipline in which artists employ non-human assistants—often computers—to make aesthetic decisions. “An artist has the potential to create infinite artworks but only some of them will see the light due to the constraint of time,” says the artist on his website. “What if we use technology to outsource the creation of art so more of these potential artworks are finally created?”
For his latest project, “Stardust Portraits,” Albiac, a computer science engineer with a background in art and art history, wrote software that can take a photographic portrait submitted by the public and recreate it as a cosmic mosaic of Hubble space telescope images.
Le génie du mal [The genius of evil, aka; Lucifer]; Guillaume Geefs
“The statue was originally a commission for Geefs’ younger brother Joseph, who completed it in 1842 and installed it the following year. It generated controversy at once and was criticized for not representing a Christian ideal.The cathedral administration declared that “this devil is too sublime.”The local press intimated that the work was distracting the “pretty penitent girls” who should have been listening to the sermons.” [x]
[The original ‘sublime’ version shown below, and the ‘revised’ one in the photoset above]
> Make sculpture of the devil
> No this sculpture is too hot for church
> Make another one
> It’s even hotter
I’m pretty sure this was created just to torture me.
This is kind of amazing. Hey, the Devil’s looking too pretty…okay, we’ll just make him SMOLDERING. Look at that butt!
With a stark white background and a splash of color, minimalist master Andrew Zuckerman has reinvented the way we look at the world around us. Known for his crisp photographs of celebrities and wildlife, Zuckerman turned his lens on the plant kingdom and captured 150 species in full bloom for his latest book Flower.
The filmmaker/photographer culled through over 300 species—even visiting the Smithsonian Institution— to select plants both familiar and exotic. Armed with a 65 mega-pixel camera, Zuckerman’s images capture the color, texture and form of each flower and showcase them in a way never seen before. Smithsonian.com’s multimedia producer, Ryan R. Reed, recently interviewed Zuckerman to find out more about Flower and the creative process behind the images. - Continue reading at Smithsonian.com.